Pink Mussaenda “Dona Luz”
I read the article below today, and it got me to thinking again about capitalism, subsidies, and “The Arts.” When I was a lad, my mom had all these 78 rpm records, many of them of “classical” music. She listened to them, and so did I. Later, when on my own, and with much better stereo equipment (I’m thinking right now about when CDs were brand-new and my first player, a Sony, cost me almost a grand). I was relatively prosperous, and had a bunch of “audiophile” stuff to listen with (Mark Levinson preamp, Bryson amplifiers, Magnaplanar speakers, etc., etc.). I also, in that era (think mid-70s to late 80s), “assigned” myself the task of reading one “good” (“classic?”) book (a Dickens, a Russian novel, whatever), between readings of more contemporary stuff. So, there I am. Listening to “classical” music, and reading “Madame Bovary,” and I started thinking. I was listening to this stuff, and reading this stuff, because I’d convinced myself (with a lot of help for those who advocate this stuff), that it was “good” for me. [Note: I actually like reading Dickens.] Upon mature reflection, meaning these days, I realize I was “subsidizing” this stuff (the orchestras, the publishers, etc.). I was boring myself shitless for some “principle.”
I know I’m not the only one with philosophical questions about subsidizing ”The Arts” (and other enterprises). I’ve often thought that if the National Endowment for the Arts, and the National Endowment for the Humanities were cancelled, it would be perfectly okay. Is “classical” music, for example, so inherently “good for us” that we should pay to keep orchestras going (ballet and opera also, I guess)? Sure, if Mr. Gotrocks wants to plunk down a million to subsidize a philharmonic, that’s his money and his privilege, that’s not what I’m talking about (although I’d like to see the Gotrocks of the world help the poor). Don’t get me wrong, I’m open to the possiblity, even likelihood, that some people really enjoy this stuff, and have no objection to them buying tickets or recordings.
I think what really struck me about the article is that only 30% of the costs of running the Honolulu Symphony came from ticket sales (which have been “OK”). That tells me that they know that their “product” cannot compete in the open market. The “Invisible Hand” of capitalism doesn’t seem interested in their offering.
I don’t think I’ve reached any real conclusions, but I’m really puzzled by subsidies, particlularly when it comes to taxpayer (i.e. borrowed) money. I don’t listen to “classical” recordings any more, and I don’t flog myself into reading “classic” novels. Music listening and reading are my personal pleasures, when I have time, and I have divested myself of the notion that I owe it to some intellectual theory to listen to anything, or read anything, that I don’t want to. Subsidies distort markets, sez me. As an aside, I don’t hear “conservatives” railing against subsidies (and I’m not even talking about the recent idiotic “bailouts”) for industries like oil, agriculture, etc. They have no more problems than the “liberals” buying votes, and continuing to buy them on the installment plan once purchased.
So, I’m sorry the musicians and others employed by the Honolulu Symphony will go without their paychecks. I have no desire to pay them myself, and apparently, overall, my lack of desire is shared by others.
HONOLULU – The Honolulu Symphony said Friday it’s canceling concerts for the rest of the year and filing for bankruptcy, citing a big drop in donations.
The symphony, the oldest in the nation west of the Rocky Mountains, said it has $1 million in debt and doesn’t have enough money to support operations into November and beyond.
The Honolulu Symphony Society’s board of directors voted to file for Chapter 11 protection at a special meeting on Oct. 30. Papers will be submitted to court next week.
“We made payroll, even in this economy, through October. But when we reached toward the end of October, cash ran out and dried up,” said Peter Shaindlin, the board’s chairman.
Ticket sales have generally been OK, though weak at some recent events. Even so, ticket revenue covers only 30 percent of costs, and donations, which cover the remaining 70 percent, have dropped sharply during the recession.
“These are difficult economic times and everyone is doing whatever it takes to maintain the products and services they provide in our community while being economically prudent,” executive director Majken Mechling said in a statement.
The 109-year-old body hopes to come back as a leaner and more efficient operation, but it’s not clear when concerts will resume. The symphony is aiming for early next year, said spokeswoman Kristin Jackson said.
The symphony spends $4.1 million each year on payroll and benefits. Musician salaries account for the biggest single expense.
Mechling said the symphony can’t continue to sustain a 64-piece orchestra, but she didn’t say how many musicians the organization would have in the future.
The organization’s finances have been in trouble for about two years.
In May 2008, an anonymous donor gave $1 million to cover almost two months of unpaid wages. Earlier this year, the symphony took a $2.1 million advance from its endowment to pay employees several months of back pay.